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Housing insecurity

Angela's Ashes

Housing insecurity is a continuing condition of the McCourt family’s life in Limerick, not a single move: inadequate housing exposes them to flooding and shared sanitation, eviction forces them into dependent arrangements, and even a later refuge remains provisional. Each address offers a measure of shelter, but none removes the family’s poverty or gives them secure control of their home.

Housing and the Lane

After returning from America, the family makes a home in Roden Lane, where their two-up, two-down house stands at the end of a row of six. They obtain a table, chairs, and beds through the St. Vincent de Paul Society, and haul the furniture across Limerick on the pram, whose faulty wheel pulls it off course. The family can move between rooms and climb the stairs, a freedom that briefly makes the house feel rich. But the lavatory beside their door is communal, serving eleven families, and a stable next to it adds another source of disruption.

The house’s apparent promise of settled domestic life is undercut by the conditions outside its walls. In heavy rain, water runs in under the door, soaking the kitchen and driving the family upstairs. They carry the furniture up and make the upper rooms a warmer refuge, calling them Italy; the ground floor becomes the less habitable downstairs Ireland. When the rain lets up, the move back downstairs is conditional on the walls and floor becoming dry. The family has not truly escaped the house’s damp or its shared sanitation: the lavatory continues to trouble them in winter, and in warmer weather flies and rats make the conditions worse.

Neglect and the Limits of Appeal

The shared lavatory’s effects reach beyond inconvenience. The family’s complaints connect the lane’s inadequate facilities with its poor housing and the risks to health. When the father takes Frank to the Town Hall, an official’s answer is that the family can move; the father replies that they cannot afford to. The official does not offer another remedy, arguing that the houses are due to be demolished after the war. The exchange makes the family’s insecurity structural: their home is unsafe and neglected, yet they lack the resources to leave, and the authorities treat the neighborhood as temporary rather than worth improving.

Flooding likewise turns ordinary weather into a threat to the household’s usable space. The family’s solution is to live upstairs through the winter, but this is a makeshift adjustment rather than a repair. Their home is therefore divided into spaces that can be occupied only under particular conditions, with comfort dependent on where the water has reached and whether the rooms are dry.

Eviction and Dependent Shelter

When eviction becomes imminent, Grandma cannot house the family herself but searches for help. She takes Frank with her through the rain to Gerard Griffin’s cottage on Rosbrien Road, where Laman Griffin agrees to shelter them. He rejects the loft as unsuitable for the younger children and offers the family space in the house instead. That night, the family leaves quietly, carrying Alphie in the pram with household necessities piled around him: a pot, pan, kettle, jars, mugs, the Pope, bolsters, and bedcoats. They try to keep their departure from the lane discreet because the eviction brings shame as well as displacement.

Laman’s cottage supplies a roof, but not a home in which the children feel free. Frank recalls that it does not feel like their former rooms in Roden Lane, upstairs Italy, or downstairs Ireland. When Laman is home, the children must be quiet; they stay in the streets until dark and then have little to do but go to bed or read by candlelight or paraffin lamp. Shelter is thus exchanged for restricted space and dependence on the household that has taken them in.

Shelter, Work, and Renewed Displacement

The arrangement with Laman becomes increasingly difficult, and conflict prompts Frank to leave. After a distressing night, he decides he cannot stay if Laman attacks him again and walks away without knowing where to go. His mother later sends Michael with warm tea, bread, and a message that Laman is no longer angry and Frank may return. Frank refuses, preserving the separation even though his alternatives are uncertain.

The family’s refuge shifts again when Michael begins staying with The Abbot after the long walk back from school becomes too much for him. Angela comes looking for Michael; when heavy rain prevents her return home, she stays in the small upstairs room with Alphie. She goes back to Laman’s the next day, but Michael remains, and Angela gradually moves in as well, until she stops returning to Laman’s. The Abbot pays the rent, while Angela receives relief and food dockets; after an informer reports the arrangement, that assistance is cut off. The new shelter therefore remains entangled with precarious income and public scrutiny, rather than ending the family’s vulnerability.

Migration and the Unfinished Search for Security

Housing insecurity is bound to the family’s movements between countries and to the uncertain promise of wages. Malachy agrees to go to England for factory work in Coventry, a decision tied to the hope that he can send money home; before leaving, he asks Frank to act as the man of the house. After returning for a time, he leaves again, and a single money order of three pounds briefly raises hopes of food, films, and comforts the family cannot usually afford. No further money arrives. The family’s housing and daily subsistence remain uncertain even as migration is imagined as a route toward stability.

The family’s earlier departure from New York also shows how kinship networks can arrange movement without guaranteeing security. Grandma Sheehan sends money to Philomena Flynn and Delia Fortune, who buy tickets, find a steamer trunk, hire a van to the Manhattan pier, and put the family aboard ship. Their intervention enables the crossing to Ireland, but the family’s later experience in Limerick is defined by inadequate housing and repeated dependence on others. At the other end of Frank’s story, a place on the Irish Oak offers him a paid route to America: the travel agent sets the fare at fifty-five pounds for a nine-day passage from Cork, and Frank says he has the money. The journey promises departure, not a demonstrated resolution of the family’s housing troubles.

Across these episodes, shelter is repeatedly obtained through makeshift adaptations, charitable help, kin, and personal sacrifice. The sequence from Roden Lane to Laman Griffin’s and then The Abbot’s lodging shows that a roof may prevent immediate exposure without restoring privacy, independence, or security. Housing insecurity is one of the material conditions that makes separation, precarious work, and the hope of migration recur throughout the family’s life.